Twilight Of Gehenna Book

Twilight Of Gehenna Book >> https://cinurl.com/2t8aPq

The concept of Sheol seems to have originated from the ancient Sumerian view that after one dies, no matter how benevolent or malevolent he or she was in life, one is destined to eat dirt to survive in the afterlife. Sheol is sometimes compared to Hades, the gloomy, twilight afterlife of Greek mythology. In fact, Jews used the word "Hades" for "Sheol" when they translated their scriptures into Greek (see Septuagint). The New Testament (written in Greek) also uses "Hades" to mean the abode of the dead. Western Christians, who do not share a concept of "Hades" with the Eastern Orthodox, have traditionally translated "Sheol" (and "Hades") as "Hell." Unlike hell, however, Sheol is not associated with Satan.

Beautiful natural blossoms, Pure delicate body, You stand without trembling. Little mist of fallen starlight, Perfect, beyond my reach, How I envy you. For if you could only listen, I would tell you something, Something human. An old man Appeared to me once In the unendurable snow. He had a singe of white Beard on his face. He paused on a street in Minneapolis And stroked my face. Give it to me, he begged. I'll pay you anything. I flinched. Both terrified, We slunk away, Each in his own way dodging The cruel darts of the cold. Beautiful natural blossoms, How could you possibly Worry or bother or care About the ashamed, hopeless Old man? He was so near death He was willing to take Any love he could get, Even at the risk Of some mocking policeman Or some cute young wiseacre Smashing his dentures, Perhaps leading him on To a dark place and there Kicking him in his dead groin Just for the fun of it. Young tree, unburdened By anything but your beautiful natural blossoms And dew, the dark Blood in my body drags me Down with my brother. Northern Pike All right. Try this, Then. Every body I know and care for, And every body Else is going To die in a loneliness I can't imagine and a pain I don't know. We had To go on living. We Untangled the net, we slit The body of this fish Open from the hinge of the tail To a place beneath the chin I wish I could sing of. I would just as soon we let The living go on living. An old poet whom we believe in Said the same thing, and so We paused among the dark cattails and prayed For the muskrats, For the ripples below their tails, For the little movements that we knew the crawdads were making under water, For the right-hand wrist of my cousin who is a policeman We prayed for the game warden's blindness. We prayed for the road home. We ate the fish. There must be something very beautiful in my body, I am so happy. A Blessing Just off the highway to Rochester, Minnesota, Twilight bounds softly forth on the grass. And the eyes of those two Indian ponies Darken with kindness. They have come gladly out of the willows To welcome my friend and me. We step over the barbed wire into the pasture Where they have been grazing all day, alone. They ripple tensely, they can hardly contain their happiness That we have come. They bow shyly as wet swans. They love each other. There is no loneliness like theirs. At home once more, they begin munching the young tufts of spring in the darkness. I would like to hold the slenderer one in my arms, For she has walked over to me And nuzzled my left hand. She is black and white, Her mane falls wild on her forehead, And the light breeze moves me to caress her long ear That is delicate as the skin over a girl's wrist. Suddenly I realize That if I stepped out of my body I would break Into blossom. Autumn Begins in Martins Ferry, Ohio In the Shreve High football stadium, I think of Polacks nursing long beers in Tiltonsville, And gray faces of Negroes in the blast furnace at Benwood, And the ruptured night watchman of Wheeling Steel, Dreaming of heroes. All the proud fathers are ashamed to go home. Their women cluck like starved pullets, Dying for love. Therefore, Their sons grow suicidally beautiful At the beginning of October, And gallop terribly against each other's bodies. The Jewel There is this cave In the air behind my body That nobody is going to touch: A cloister, a silence Closing around a blossom of fire. When I stand upright in the wind, My bones turn to dark emeralds. Lying in a Hammock at William Duffy's Farm in Pine Island, Minnesota Over my head, I see the bronze butterfly, Asleep on the black trunk, blowing like a leaf in green shadow. Down the ravine behind the empty house, The cowbells follow one another Into the distances of the afternoon. To my right, In a field of sunlight between two pines, The droppings of last year's horses Blaze up into golden stones. I lean back, as the evening darkens and comes on. A chicken hawk floats over, looking for home. I have wasted my life. Outside Fargo, North Dakota Along the sprawled body of the derailed Great Northern freight car, I strike a match slowly and lift it slowly. No wind. Beyond town, three heavy white horses Wade all the way to their shoulders In a silo shadow. Suddenly the freight car lurches. The door slams back, a man with a flashlight Calls me good evening. I nod as I write good evening, lonely And sick for home. A Poem about George Doty in the Death House Lured by the wall, and drawn To stare below the roof, Where pigeons nest aloof From prowling cats and men, I count the sash and bar Secured to granite stone, And note the daylight gone, Supper and silence near. Close to the wall inside, Immured, empty of love, A man I have wondered of Lies patient, vacant-eye. A month and a day ago He stopped his car and found A girl on the darkening ground, And killed her in the snow. Beside his cell, I am told, Hardy perennial bums Complain till twilight comes For hunger and for cold. They hardly know of a day That saw their hunger pass. Bred to the dark, their flesh Peacefully withers away. The man who sits alone, He is the one for wonder, Who sways his fingers under The cleanly shaven chin, Who sees, in the shaving mirror Pinned to the barren wall, The uprooted ghost of all: The simple, easy terror. Caught between sky and earth, Poor stupid animal, Stripped naked to the wall, He saw the blundered birth Of daemons beyond sound. Sick of the dark, he rose For love, and now he goes Back to the broken ground. Now, as he grips the chain And holds the wall, to bear What no man ever bore, He hears the bums complain; But I mourn no soul but his, Not even the bums who die, Nor the homely girl whose cry Crumbled his pleading kiss. At the Executed Murderer's Grave Why should we do this? What good is it to us? Above all, how can we do such a thing? How can it possibly be done? --Freud 1. My name is James A. Wright, and I was born Twenty-five miles from this infected grave, In Martins Ferry, Ohio, where one slave To Hazel-Atlas Glass became my father. He tried to teach me kindness. I return Only in memory now, aloof, unhurried, To dead Ohio, where I might lie buried, Had I not run away before my time. Ohio caught George Doty. Clean as lime, His skull rots empty here. Dying's the best Of all the arts men learn in a dead place. I walked here once. I made my loud display, Leaning for language on a dead man's voice. Now sick of lies, I turn to face the past. I add my easy grievance to the rest: 2. Doty, if I confess I do not love you, Will you let me alone? I burn for my own lies. The nights electrocute my fugitive, My mind. I run like the bewildered mad At St. Clair Sanitarium, who lurk, Arch and cunning, under the maple trees, Pleased to be playing guilty after dark. Staring to bed, they croon self-lullabies. Doty, you make me sick. I am not dead. I croon my tears at fifty cents per line. 3. Idiot, he demanded love from girls, And murdered one. Also, he was a thief. He left two women, and a ghost with child. The hair, foul as a dog's upon his head, Made such revolting Ohio animals Fitter for vomit than a kind man's grief. I waste no pity on the dead that stink, And no love's lost between me and the crying Drunks of Belaire, Ohio, where police Kick at their kidneys till they die of drink. Christ may restore them whole, for all of me. Alive and dead, those giggling muckers who Saddled my nighmares thirty years ago Can do without my widely printed sighing. Over their pains with paid sincerity. I do not pity the dead, I pity the dying. 4. I pity myself, because a man is dead. If Belmont County killed him, what of me? His victims never loved him. Why should we? And yet, nobody had to kill him either. It does no good to woo the grass, to veil The quicklime hole of a man's defeat and shame. Nature-lovers are gone. To hell with them. I kick the clods away, and speak my name. 5. This grave's gash festers. Maybe it will heal, When all are caught with what they had to do In fear of love, when every man stands still By the last sea, And the princes of the sea come down To lay away their robes, to judge the earth And its dead, and we dead stand undefended everywhere, And my bodies--father and child and unskilled criminal-- Ridiculously kneel to bare my scars, My sneaking crimes, to God's unpitying stars. 6. Staring politely, they will not mark my face From any murderer's, buried in this place. Why should they? We are nothing but a man. 7. Doty, the rapist and the murderer, Sleeps in a ditch of fire, and cannot hear; And where, in earth or hell's unholy peace, Men's suicides will stop, God knows, not I. Angels and pebbles mock me under trees. Earth is a door I cannot even face. Order be damned, I do not want to die, Even to keep Belaire, Ohio, safe. The hackles on my neck are fear, not grief. (Open, dungeon! Open, roof of the ground!) I hear the last sea in the Ohio grass, Heaving a tide of gray disastrousness. Wrinkles of winter ditch the rotted face Of Doty, killer, imbecile, and thief: Dirt of my flesh, defeated, underground. Saint Judas When I went out to kill myself, I caught A pack of hoodlums beating up a man. Running to spare his suffering, I forgot My name, my number, how my day began, How soldiers milled around the garden stone And sang amusing songs; how all that day Their javelins measured crowds; how I alone Bargained the proper coins, and slipped away. Banished from heaven, I found this victim beaten, Stripped, kneed, and left to cry. Dropping my rope Aside, I ran, ignored the uniforms: Then I remembered bread my flesh had eaten, The kiss that ate my flesh. Flayed without hope, I held the man for nothing in my arms. On the Skeleton of a Hound Nightfall, that saw the morning-glories float Tendril and string against the crumbling wall, Nurses him now, his skeleton for grief, His locks for comfort curled among the leaf. Shuttles of moonlight weave his shadow tall, Milkweed and dew flow upward to his throat. Now catbird feathers plume the apple mound, And starlings drowse to winter up the ground. Thickened away from speech by fear, I move Around the body. Over his forepaws, steep Declivities darken down the moonlight now, And the long throat that bayed a year ago Declines from summer. Flies would love to leap Between his eyes and hum away the space Between the ears, the hollow where a hare Could hide; another jealous dog would tumble The bones apart, angry, the shining crumble Of a great body gleaming in the air; Quivering pigeons foul his broken face. I can imagine men who search the earth For handy resurrections, overturn The body of a beetle in its grave; Whispering men digging for gods might delve A pocket for these bones, then slowly burn Twigs in the leaves, pray for another birth. But I will turn my face away from this Ruin of summer, collapse of fur and bone. For once a white hare huddled up the grass, The sparrows flocked away to see the race. I stood on darkness, clinging to a stone, I saw the two leaping alive on ice, On earth, on leaf, humus and withered vine: The rabbit splendid in a shroud of shade, The dog carved on the sunlight, on the air, Fierce and magnificent his rippled hair, The cockleburs shaking around his head. Then, suddenly, the hare leaped beyond pain Out of the open meadow, and the hound Followed the voiceless dancer to the moon, To dark, to death, to other meadows where Singing young women dance around a fire, Where love reveres the living. I alone Scatter this hulk about the dampened ground; And while the moon rises beyond me, throw The ribs and spine out of their perfect shape. For a last charm to the dead, I lift the skull And toss it over the maples like a ball. Strewn to the woods, now may that spirit sleep That flamed over the ground a year ago. I know the mole will heave a shinbone over, The earthworm snuggle for a nap on paws, The honest bees build honey in the head; The earth knows how to handle the great dead Who lived the body out, and broke its laws, Knocked down a fence, tore up a field of clover. 2b1af7f3a8