VA - Bossa Cafe - 2CD (2009) __HOT__

CLICK HERE ::: https://urluss.com/2tdUAK

The 2012 release, not to be confused with 2004's The Rough Guide to the Music of Morocco, especially if you know the new one is 1266CD and the old one is 1128CD. Without a single artist repetition, they cover pretty much the same range. On both you get cafe trad and hip-hop derivatives and devotional gravity; on both you get a Jewish expatriate, in 2004 a refugee Israeli cantor born 1954, in 2012 a Canadian emigre practitioner of his own impure Andalusian classicism born 1922. Yet eight years later the overall mood seems more aggressive.

The Rough Guide to the Music of Morocco [World Music Network, 2004]Both Rough Guides are useful, although this one came out in 2004 while the earlier one came out in 2012. In any event, the 2004 guide covers the same range of acoustic and more aggressive Moroccan music, starting with lounge music and obvious natives Joseffer and Jamal. The 2012 guide covers the same range but puts more emphasis on rap, rock and jazz, with artists such as Amira Saqati, Younes Lamy, Idan Raichel, Sami Terno, Omar Badawy and Bahdek. The bonus disc is by the "chaabi-groove" generalists Mazagan, who encompass most of these tendencies with pleasant-to-pleasing success.

Possibly the best-produced release for the series. The two CDs are arguable the best in the series, with wide African cultural coverage, presented as an excellent overview by a skilled editor and with a refreshing inclusion of rap in the bonus discs, there is a dearth of serious music that is only tangentially associated with Morocco, and the bonus music is more impressive than the music of the CD sets proper.

The 2012 release, not to be confused with 2004's The Rough Guide to the Music of Morocco, especially if you know the new one is 1266CD and the old one is 1128CD. Without a single artist repetition, they cover pretty much the same range. On both you get cafe trad and hip-hop derivatives and devotional gravity; on both you get a Jewish expatriate, in 2004 a refugee Israeli cantor born 1954, in 2012 a Canadian emigre practitioner of his own impure Andalusian classicism born 1922. Yet eight years later the overall mood seems more aggressive. The added hip-hop is a major musical improvement because Arabic gutturals rock when rapped, even over beats played on traditional instruments, with the glitched-up syllabics of Amira Saqati's "El Aloua" providing a hint of pomo lurch. The bonus disc is by the "chaabi-groove" generalists Mazagan, who encompass most of these tendencies with pleasant-to-pleasing success. A- d2c66b5586