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Theatre owner Diwan Sardari Lal took the small girl to Calcutta in the early 1930s and the entire family moved to Calcutta in hopes of developing the movie careers of Allah Wasai and her older sisters, Eiden Bai and Haider Bandi.[17] Mukhtar Begum (not to be confused with actress Sabiha Khanum) encouraged the sisters to join film companies and recommended them to various producers.[17] She also recommended them to her husband, Agha Hashar Kashmiri, who owned a maidan theatre (a tented theatre to accommodate large audiences).[17] It was here that Wasai received the stage name, Baby Noor Jehan.[17] Her older sisters were offered jobs with one of the Seth Sukh Karnani companies, Indira Movietone and they went on to be known as the Punjab Mail.[14]

In 1935, K.D. Mehra directed the Punjabi movie Pind di Kuri in which Noor Jehan acted along with her sisters and sang the Punjabi song "Langh aja patan chanaan da o yaar", which became her earliest hit.[17] She then acted in a film called Missar Ka Sitara (1936) by the same company and sang in it for music composer Damodar Sharma. Jehan also played the child role of Heer in the film Heer-Sayyal (1937).[17] One of her popular songs from that period "Shala jawaniyan maney" is from Dalsukh Pancholi's Punjabi film Gul Bakawli (1939).[17] All these Punjabi movies were made in Calcutta.[17] After a few years in Calcutta, Jehan returned to Lahore in 1938. In 1939, renowned music director Ghulam Haider composed songs for Jehan which led to her early popularity, and he thus became her early mentor.[17]

The film's special effects were supervised by Gordon Jennings.[38] The most spectacular special effect in the film is the toppling of the temple of Dagon, the god of the Philistines.[38] It is the penultimate scene in the film, cost $150,000, and took a year to shoot.[38] The bottom portion of the temple was constructed full-scale.[38] A separate 37-foot high model with a 17-foot high Dagon statue was built for the photographic effects.[38] The model was destroyed three times in order to shoot it through different camera angles.[38] Footage of the full-scale set was merged with footage of the scale model using a "motion repeater system" fabricated by Paramount, which enabled the exact repetition of camera moves.[38]

Samson and Delilah received its televised world premiere on December 21, 1949, at two of New York City's Broadway theatres, the Paramount and the Rivoli, in order to "accommodate the 7,000,000 movie-goers in the greater New York area."[42][43] People who attended the event included Mary Pickford, Buddy Rogers, and Barney Balaban.[44] The film eventually went into general release on January 13, 1950.[45]

Samson and Delilah received rave reviews upon its release in 1949. Showmen's Trade Review wrote that the film "bids fair to stand as this veteran showman's most impressive and magnificent spectacle since that history-making 1923 religious epic [The Ten Commandments]."[48] The Harrison's Reports reviewer commented: "Mr. DeMille has succeeded, not only in keeping the story authentic, but also in presenting it in a highly entertaining way. Its combination of spectacularity and human interest will grip the attention of all movie-goers."[49] The Modern Screen reviewer remarked, "It's tremendous, impressive, and beautiful to look at."[50] Boxoffice considered it the "most prodigious spectacle ever conceived," while The Film Daily stated that it "[s]tands monumental alongside any contender."[51] The Exhibitor, a trade magazine, declared: "This will be classed with the big films of all time."[51] 2b1af7f3a8